This is a record of my art making, the experiences that I have in everyday life that inspire me and a document of the paintings that I produce. Sometimes I will mention different facts or stories that bear some relevance to manu / birds and New Zealand native flora. One of the key ideas within my work is the celebration of the uniqueness of the native species within Aotearoa / New Zealand.

Friday, March 14, 2008

harakeke korimako

Harakeke Korimako

3 canvases 205mm x 205mm x 35mm each

Archival quality acrylics and gesso on canvas


This work was one that I was particularly pleased with. I have been wanting to extend my use of colour, I can be a little nervous of using too many as it is so easy to get carried away with it. I really like the introduction of the orange within the pattern in the background. The koirmako / bellbirds turned out wickedly also.

hei tiki kahurangi


Hei Tiki Kahurangi

305mm x 405mm x 35mm

Archival quality acrylicson canvas


Here is one of my latest works. I was interested in seeing what would happen if I used a blue background. One of the meanings of kahurangi is blue. It can also translate to mean jewel, a treasured possession and is one of the most prized forms of pounamu (greenstone, New Zealand jade).

Tuesday, March 4, 2008

puriri piwakawkaka

3 canvases 205mm x 205mm x 35mm each
Archival quality acrylics and gesso on canvas


Here two little piwakawaka (fantails)chatter to each other. I am trying to look to other ways to add a life-like vitality to the birds / manu that I paint, showing movement or singing, chirping is a way that I can do that. The branches of the puriri tree are more cropped into the foliage than what I normally depict. This opens up the composition and allows the piwakawaka to be the main focus. It increases the naturalism of the scene.

tui mouku

Diptych 2 canvases 305mm x 225mm x 35mm
Archival quality acrylics and gesso on canvas


This was a commission that I really enjoyed working upon, it features a tui perched among flowers of ngutu-kaka (kaka beak). I am really happy with how I have managed to further explore playing with simplified kowhaiwhai forms in the tui's collar feathers. The background has layered up silhouetted of mouku (hen and chicken fern).

Wednesday, February 27, 2008

hei tiki


hei tiki kaponga

225mm x 305mm x 35mm

Archival quality acrylics and gesso on canvas




I have been seeing some great pieces based upon using the hei tiki as a key image. Hei tiki are taonga (treasures) handed down from generation to generation. They are generally carved out of pounamu (greenstone, New Zealand jade) and are worn around the neck (hei). They are seen as symbols of fertility and guardians of mothers and unborn children. I have always loved hei tiki, many of my friends have been having babies and I think that might have inspired my wish to paint hei tiki also.



hei tiki mouku

305mm x 405mm x 35mm

Archival quality acrylics and gesso on canvas





These are just the start of many idea that I have based upon hei tiki. Overlaying the hei tiki in front of silhouettes of fern fronds like in Hei Tiki Kaponga (silver fern) and Hei Tiki Mouku (hen and chicken fern) creates a lushious effect. In combining these images I suppose I am hoping that the world will be blessed with green, eco-friendly babies. A bit corny, but hey.

tui teo


Triptych 3 pieces 205 mm x 205 mm x 35mm
Archival quality acrylics and gesso on canvas





With this painting I was drawn into experimenting with layering silhouettes of kowhai leaves and hand painted realistic images. I was also wanting to see the effect of not including kowhai blooms, . An interesting development seems to be occurring with how I am rendering the birds, particularly tui. Their eyes are getting bigger and bigger.

Thursday, February 7, 2008

harakeke piwakawaka

Triptych 3 pieces 205mm x 2205mm x 35mm
Archival quality acrylics and gesso on canvas




This little work was so much fun to paint, these two piwakawaka (fantails) just turned out gorgeously. Trying to capture movement is something that I am interested in exploring further and I am really happy with how the wings turned out on the male.

Sunday, February 3, 2008

manuka riroriro 2008

The little riroriro (grey warbler) was awarded 'Bird of the Year' in 2007. It is quite an amazing little bird, despite pipiwharauroa (shining cuckoo) parasitism riroriro are still quite common. Instead of having just one breeding round during spring, riroriro actually have two, one of them being earlier than that of the pipiwharauroa. This has enabled them to survive where other birds wouldn't have. They also adapt quickly to most environments, even in suburbia. I was lucky enough to see one on Tiritiri Matangi, they are so small(about 100mm) and delightful. Initially I mistook it for a rifleman, but later found out that there are none on the island.

Triptych, 3 canvases 205mm x 405mm x 35mm
Archival acrylics and gesso on canvas

I am really happy with how these paintings turned out. The subtle layering worked well, riroriro colouring and feathers are just beautiful. Manuka flowers and the darker branches proved to be the ideal backdrop for the triptych.

Sunday, January 27, 2008

chilling

The weather that we have been having has been fantastic. I have been pretty busy in my garage, painting up a storm. Today however, I did take time out and got to the beach. It was wonderful lying in the sun at Narrowneck, chatting with friends and swimming in the sea. The last time I swimming there I was a child. Straight out in front of where we had set ourselves up were a couple of tara diving down upon fish. White fronted terns are so aerodynamic, they fly beautifully. I wish I had had a camera on me. That is something that I want to start exploring more within my painting, birds in flight.

Saturday, January 19, 2008

ngutu-kaka tui


2008
Triptych 3 canvases
305mm x 405mm x 35mm
Archival quality acrylics and gesso on canvas



Within this triptych I got a little carried away with the details within the tui plumage and the abundance of ngutu-kaka (kaka beak) flowers and foliage. In my opinion the effect is lovely even if the painting took quite some time to complete.

In the wild the ngutu-kaka is rare, browsing pests like possums and feral goats have contributed greatly to this. Thankfully it is a popular tree in gardens so it is safe from extinction.

tui kahukura


2008
diptych
2 canvases 305mm x 225mm x 35mm
Archival quality acrylics and gesso on canvas


This little diptych is the second work that I have completed this year, it was a commission piece. As well as a tui perched on flowering pohutukawa, to the left a kahukura, native red admiral flutters. Kahukura also has some other lovely meanings; to be multicoloured, a rainbow as well as a cloak coloured with red ochre. The composition works wonderfully within the double landscape format.

Friday, January 18, 2008

kowhai piwakawaka


2008
Triptych
3 canvases 225mm x 305mm x 35mm
Archival quality acrylics and gesso on canvas



Within this painting I further experimented with my painting style, particularly within the rendering of the birds. I sometimes get a little carried away with adding lots of super-fine details so I aim to start leaving some areas less worked up so as to enhance those that are more refined. It gives a freshness and energy to the subject matter. The positive shapes of kowhai leaves and flowers and the negative spaces around them are absolutely gorgeous.

Tuesday, January 8, 2008

happy new year

,Even though I have started back at the studio (well, my garage), I feel wonderfully refreshed after a break out of Auckland. Friends of mine live up North near Waimamaku and I was fortunate to spend New Year's with them. Staying so near the Waipoua Forest, there was much in the way of bird life and native flora to see. Even though I got a much needed break away, my brain was still inspired and ticking over.


On the way up I had to stop off and visit the Four Sisters and Te Matua Ngahere to pay my respects. It was so nice to be able to get some fresh air and stretch my legs as well as being reminded of how magnificent our Kauri are. It was like visiting a giant outdoor cathedral with that same sense of peace and grandeur. Some paintings exploring Kauri might have to occur.




The Waipoua Forest is home to many native birds, endangered including kiwi and kokako. I hope to do a mission to view and hear some of the northland kokako during the year. What is particularly interesting is that the call of the kokako has regional differences. Apparently this can cause problems in transferring birds from one sanctuary to another, they don't respond to calls that they don't recognise. DOC and researchers have counteracted that problem with exposing birds to regional calls at a young age to assist with their translocation.




New Year's day saw me paying for the previous evening's festivities by going for a mountain bike ride. I managed to see a native orchid that I had never seen before growing on the side of the road. I must look it up really, to find out what it is, unfortunately I didn't have my camera on me. Our native orchids are just delightful. I didn't quite have enough steam to make it to the cafe for coffee and cake, or rather I didn't think that I would make it back.




The next day was spent swimming and lazing in the sun on Waimamaku beach. It is just beautiful out there regardless of the weather. The tranquility of the river as it meanders towards the coast is in stark contrast to the ruggedness of the water, like how you get at all West Coast beaches. When I went for a walk, with my camera this time, I managed to get some neat photos of kawau, I'm not sure which kind, it was two parents and a juvenile, I think. They were quite annoyed with me following them, actually I was just heading back in the same direction. The first photo is capturing them getting startled by a wave, as I was busy laughing at them, I got saturated also. Karma. The second one is further down the beach, I am unsure if it is of the same family group. I think that I will have to do some works based on these guys at some point too.

tui tahi


2007
Triptych 3 canvases
615mm x 405mm
Archival quality acrylics and gesso on canvas

Here I experimented with using a single tui within a central format. The canvases are of a longer format than I have used previously but work wonderfully with the vertical nature of harakeke.

puataua korimako


2007
Triptych 3 canvases
225mm x 305mm
Archival quality acrylics, spraypaint and gesso on canvas



I love this painting to pieces. The mistiness of the background reminds me of how light filters through the bush at dawn. This is one of the times when the korimako are particularly vocal with their delightful call. Contrasting beautifully with the freshness of the greens within the korimako's (bellbird's) feathers, are the rich, earthy browns. Puataua is another of our lovely native clematis species.

pirirangi toutouwai


2007
Triptych 3 canvases
675mm x 305mm
Archival quality acrylics, spraypaint and gesso on canvas







This painting was one of my first experiments with using spray paint in the background. I really like the way that the speckles diffuse out towards the edges, an effect that I could explore further.


The little toutouwai that is making eye contact was based upon a photograph that I took myself at Tiritiri Matangi. It is not such a great one however but it captures the character and bravery of the little robin. I thought that they were just cheeky, but actually this little toutouwai was poised ready to protect its nest. I have heard that they will pursue and dive bomb anyone or thing that poses a threat to their young.

harakeke matangi


Ella Thomas 2007
Triptych 3 canvases
305mm x 405mm
Archival acrylics on canvas




With this work I was particularly happy with the way that the harakeke leaves layered up over the fern silhouettes. There is lovely movement implied within the foliage which is then reinforced by the poses of birds.

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About Me

My photo
Auckland, New Zealand
Ella Thomas is a contemporary artist who lives in Auckland, Aotearoa. She is of Ngapuhi descent and has a passion for the beauty of the whenua (land), the sea and for the unique flora and fauna of New Zealand. The concepts that are explored within Ella's work are based upon notions of conservation, ecological balance and extinction. Her paintings often feature nostalgic patterns reminiscent of the mid to late 1800's, the era when European colonization occurred. It was during this time that many unique species of birds became extinct. The rarer a bird became, the more prized a specimen of it became. Alive or dead. Much of Ella's paintings are celebrations of the unique character of our surviving taonga (treasures). Ella has a Bachelor of Visual Arts and has been working within arts related industries for many years. She has paintings in collections nationwide, Australia, England and the USA. Finally the plunge has been taken and Ella has committed herself to fulfilling a dream, that of becoming a full-time artist.